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TREY SONGZ SUED FOR ALLEGEDLY SEXUALLY ASSAULTING TWO WOMEN AT HOUSE PARTY

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LOS ANGELES, CA - Trey Songz has another lawsuit on his hands as two women are accusing him of sexual assaulting them at a house party.

According to TMZ, the pair of unnamed women accused the R&B singer of forcing himself onto them to have non-consensual sex at a Los Angeles party in 2015.

Per the documents, the women met Trey in June 2015 while attending one of his concerts, where they were invited to an afterparty he was hosting.

They say they established a rapport with Songz and were invited to his birthday party at his house later that summer in August.

The women claim they were forced to give up their phones when entering the party. They believe they were drugged as they felt very drunk despite only drinking a “modest” amount.

They claim to have passed out in an upstairs bedroom, only to wake up naked with Trey performing oral sex on one and fingering the other.

Songz allegedly then demanded they all shower together, but when the girls refused, he became enraged and kicked them out the next morning.

Trey Songz’s attorney, Michael Freedman, has denied the allegations, telling TMZ that believes his client’s name will be cleared in court.

“This is yet another example of nearly decade-old allegations being repurposed to take advantage of California’s constitutionally questionable new look back window,” Freedman said. “We look forward to vindicating Trey on the merits in court.”

This is far from the first sexual assault case levied against Trey Songz. The “Bottoms Up” singer is also facing a hefty lawsuit accusing him of assaulting a woman at a 2013 pool party in Connecticut.

The lawsuit is demanding $10 million for sexual battery and assault, which includes claims that Trey allegedly grabbed and exposed the woman’s breast after she merely tried to get a picture with him.

In a video captured by a friend of the accuser — who subsequently sent the video to TMZ — the singer (real name Tremaine Neverson) can be seen grabbing the accuser’s bathing suit top, dropping it, and exposing her breast.

Songz and his legal team have argued that the case was way past the statute of limitations of three years and are awaiting a judge’s ruling on the dismissal motion.

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  • Alessia Cara shares tender ‘(Isn’t It) Obvious’ and announces new album ‘Love & Hyperbole’

Alessia Cara shares tender ‘(Isn’t It) Obvious’ and announces new album ‘Love & Hyperbole’

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Alessia Cara has shared new single ‘(Isn’t It) Obvious’ and announced her upcoming album ‘Love & Hyperbole’.

Her fourth full-length album, which she told fans on Instagram is her “best work to date”, arrives on February 14, 2025, and you can pre-order and pre-save it here.

The new track, which features a guitar solo from John Mayer, follows the release of ‘Dead Man’, and sees her touch on long distance relationships, with her singing: “I see it on your face and on your mind / You see the cracks in the ice / Without my hand to hold / I’m the first to know / You’re gripping on the waist of other times.”

“If ‘Dead Man’ is about emotional distance, then ‘(Isn’t It) Obvious’ is about being physically apart from someone but reminding them how much you love them,” said Cara in a press release.

“As I was coming up with the lyrics I was pulling a lot of inspiration from singer/songwriters like John Mayer, so it’s mind-blowing to me that he ended up actually playing on the song.”

Ahead of the release of her third album ‘In The Meantime’, Cara appeared in NME‘s In Conversation series, and touched on dealing with the pressure that came with her breakout success as well as writing songs with Salaam Remi – the producer who worked with her musical hero Amy Winehouse.

“[The success of debut single ‘Here’] gave me a soapbox that I hadn’t intended to stand on – it was like, ‘Oh, now I’m like speaking for all the introverts in the world,’ which is wonderful,” she said. “But then I find that I’ve grown into myself and I’m not so much of an introvert anymore, and I feel like I still have to speak for that group of people.”

In a four-star review of her third offering, NME shared: “In the Meantime’ also feels cohesive because a painful break-up is clearly a recurring theme. ‘I’m not even yours any more, but I deserve an award for getting over you – call the Academy,’ Cara sings deliciously on ‘Drama Queen’, a tropical bop that recalls Alicia Keys‘ brilliant ‘In Common’.

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