logo

Hip-Hop Lives Here

In new release Unforgiven, Sophia Mengrosso gives metal an operatic twist

image
Somewhere along the way from training in classical and opera and teaching  music, Sophia Mengrosso fell in love with metal and was inspired to begin composing.
 
In the last year or so, she was revisiting some of her past work and decided to start recording and releasing it.
 
Her latest is “Unforgiven,” a track in which power guitar meets Sophia’s rich voice ranging from contralto up into the soprano ranges. The result is metal with an opera vibe. It is great listening.
 
“I wanted to share it with everyone. I just did it. I didn’t have a specific plan, why and what, I just wanted to share what I have. And here I am.”
 
With “Unforgiven,” she is here with a hard rock love-gone-wrong song featuring someone — the gender is not specified — who has not been forgiven for some sin, also unspecified.
 
“So, that’s about my personal experience with someone,” she said. “All of my music is about my personal experiences, and that particular single I dedicated to a person that I do want to forgive, and I can’t right now, but writing that single is helping me to do so.”
 
The sin of the unforgiven singer is not important. The location, clearly somewhere very much like hell, or at least purgatory, is:
 
Unforgiven, I walk this night,
Beneath the stars, in fading light.
Haunted by ghosts that never sleep,
In the abyss, my secrets I keep.
 
The protagonist does not stay in hell. Forgiveness does come toward the end.
 
“I feel like I’ve reached that point in my life right now where I did forgive, and it just gives me a relief, and power and energy.”
 
The whole story would make good opera, and this piece of the narrative — working up to when forgiveness is possible — told in Sophia’s voice, makes good metal.
 
She started out playing harp and piano when she was 5, singing at age 9. The focus was on classical. Her voice lessons were in opera. In her teens, she started experimenting with music.
 
Somewhere in there, she ran across Evanescence and the wider world of rock, and that is when she started writing music.
 
“I saw ‘Bring Me to Life’ on MTV. I went to the store and I bought the music and started listening to it, and there were more songs, and I just got sucked into that.”
 
She explains her progression into rock as a process of maturing and discovering the power of the music.
 
“And that’s what I love rock for. I think as a female singer especially, it just gives me a lot of room to write and do what I want.”
 
Her operatic background is evident in the vibe at times, especially when the lyrics call for a full vocal blast.
 
Rock is her main love, but she also writes classical and will release some of that, too.
 
“I love both styles. I don’t say that I switched to rock only. I’ve written some classical pieces that I will share. There is no reason for me to choose, you know? Nobody’s making me to choose or decide. I do what I feel like doing.”
 
She doesn’t want to be categorized as anything except a musical artist.
 
For now, though, she keeps returning to rock.
 
“I’m so obsessed with metal. I love Metallica and I love Evanescence. These are my idols — Metallica, Evanescence, Nightvision, Green Day. Some other newer bands that came later I like, too, but I think if I could pick two it would be Evanescence and Metallica. Those are my top.”
 
She has stopped most of her teaching, keeping only a couple of devoted students, to put time into recording.
 
She writes her music on the piano, then takes it to her band, “and we write a track with heavy guitars and just sit and experiment.”
 
“I am very fortunate to have very talented people around me.”
 
She put out three singles before “Unforgiven” and has another single, “Haunted,” coming soon. After that, an album with 12 tracks, all metal.
 
This is a good time to be a musician, she says. The digital platforms and the advantages that give musicians such freedom to be creative “gave me confidence.”
 
“I just started to release my music,” she said, “but my career goes way back. I felt like it’s the right time for me. I think there is no recipe for when you start. Everything has its time, and now is the time for me.”
 
Join her in her time. Connect to Sophia Mengrosso on all platforms for new music, videos, and social posts.

Website 
Amazon Music
Apple Music  
Spotify
YouTube 
Instagram
TikTok

Leave a Reply

Advertisement

image
MOST POPULAR
  • Home
  • Unsigned Heat
  • Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

image

Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.

Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.

This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.

From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?

“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”

He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”

 

It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?

“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”

Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.

“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”

Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”

“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”

The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?

“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”

Do they feel more new bands adopting that approach as the world continues its doom spiral?

“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”

We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.

“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,”  Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

Westside Cowboy
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?

“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”

Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.

“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”

He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”

‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.

Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.

Leave a Reply

Advertisement

image
MOST POPULAR