Songwriter/producer Pamela Edwards McClafferty sees the importance of Black history in our nation. She has teamed up with rapper, Clash, to release a powerful new single called “Shades of Black and White,” which portrays the struggles and strife endured from the 1600s through today.
The six-minute-track is the first of a series to be released on a monthly basis as part of her newest album titled Now, which was produced along with Mark McClafferty. “Shades of Black and White” is written in the style of poignant poetry with a backdrop of an epic soundscape that gets the listener’s blood pumping and thoughts swirling.
“In our country we seem to be banning books, banning history, forgetting about history,” she said. “But here, all you have to do is listen to the history. If you listen to these six minutes and realize what African Americans have gone through in our country, you understand what extraordinary people African Americans are. They’ve endured the experiences from being taken from their homeland to living through the history of “black and white.”
McClafferty writes, and Clash raps:
“Kidnapped from home,
Chained -shipped unknown
--Two hundred years
of tears
workin ’on land,
whips in hand.
1831 Turner Revolt
Slave Rebellion Bolts
Underground rails
Turning wind to sails
Tubman soldier spy
opening North’s eyes
1857 Dred Scott decision
South rejoi-ces - slaves not cit-i-zens”
“When a thought comes to me, a lot of times the lyric comes first and the music caresses the lyric,” McClafferty said. “I want to say something about Clash- he’s very gifted. He immediately understands the “why” and the “how” of lyrics and how they should be interpreted. Not only is he a rapper, but a singer with a unique sound. Clash has a lot of talent and a great heart and his gifts shine through in all his art.”
Producer Mark McClafferty said Clash is as interesting an artist, as he is a gentle rapper who brings a certain type of soul to the song. The 24-year-old is multi-talented and worked previously with the producing duo on the musical “Artland” Music by Stanley Clarke and Book & Lyrics by Pamela Edwards McClafferty, which is now finished after being worked on for over a decade.
“When it came to “Shades”, Mark and I were listening to a lot of rappers and Clash came up again,” she said. “He grew up with a single mother and four siblings in Long Beach. He cares about his community, mankind and his art. We all share in the same vision to bring people together.”
Clash works his way through the lyrics with grace, but an overwhelming feel of strength as he raps about the dire history of his race in America. It spans from the Civil War era, touching on the Ku Klux Klan, the Emancipation Proclamation and then up through the beginning of the 20th century for the start of the NAACP. It moves on to the mid-20th century, with Jackie Robinson breaking the color barrier in baseball, and Rosa Parks taking her seat on the bus. But then, it gets tragic again, with the lyrics saying:
“THEN MARTIN’S GONE!
THE DREAM GONE
THE MOUNTAIN TOP GONE
BOBBY GONE!
COMPASSION GONE
OH, THE MOUNTAIN’S GONE!”
Moving to the 21st century, the track touches on President Barack Obama opening the door and taking two steps forward. But once he left, it seemed like there were two steps back.
“Then a step back with Floyd
How to fill the void?
With Black Lives Matter
BLACK LIVES MATTER
Steps forward
Artists extraordinaire in rarified air
Actors musicians singers
Inspiring more than a wing on a prayer
But there’s still two Steps back
TWO STEPS BACK
She said that it was important to represent what African Americans have endured through music, saying that “it is a shade, and what is everybody really afraid of?”
“When you hit the bottom line, what is everyone afraid of?” McClafferty said. “That is up to each individual to decide. Clash, Mark and I just hope this history will bring to light what African Americans have gone through and overcome.”
McClafferty is a writer, bestselling author, award winning producer and fashion designer who has a wide array of experience and achievements. She and Producer/Writer Mark McClafferty co-founded Spellbound Pictures, and McClafferty said Now is so important to them as it reflects the times “right now.” The plan is for a new single to be released at the beginning of each month, with each representing a aspect of society to be touched upon musically. Next on the docket is a song called “Reflections,” which will be sung by Lain Roy, who was a contestant on The Voice.
The project NOW provides a “drop of hope and thought,” and it is a tiny ripple of interpretation of McClafferty’s vision of what is going on in the world. It will go through a series of themes ranging from the brutal honesty of the scourge of fentanyl, to “Whose rights are right,” and a
reflection of ourselves in our children. These are issues that people don’t always want to talk about, but the idea is that maybe if it goes along with music, it can be more palatable and have an effect.
“It is there for people to look at and I hope that it does some good,” McClafferty said. “What are we doing in the world? It’s just a question. I’m not trying to cast judgment. I just hope people will think about the lyrics and their history.”
Be sure to check out “Shades of Black and White” available on June 1, and keep up with all the new releases from Now.
Instagram
Youtube
Twitter
Facebook
Pintrest
IMDB
A Brit nominee with two platinum albums to her name, Paloma Faith’s come a long way since her debut single Stone Cold Sober in 2009.
The pint-sized Hackney born singer-songwriter won our hearts with her big hair, power brows and cooky fashion sense. But above all her unmistakable and soulful voice, which has featured in numerous TV commercials and films to date.
Following on from the success of her second album - Fall to Grace - which charted at no. 2 in the UK album charts, Paloma has just finished her tour, and is now looking forward to laying down tracks for a 3rd album.
Music News caught up with Paloma post her acoustic American Express Platinum Cashback Gig in Islington, ahead of her big date at The O2 in June.
Music News: Firstly congratulations on the recent gig at The Union Chapel. We were there and it was just amazing. How did you find it?
Paloma: It was a really great gig and hope to fill my life with more gigs just like it. It was quite highbrow and I was a bit nervous, as we didn’t get time to rehearse it. But I really enjoyed it and the acoustics were amazing. I think the venue itself worked really well with that type of music.
MN: How did you come to be involved in this charity gig and why’s it of importance to you?
Paloma: I got involved with the gig through Amex. I’ve always given my record label direction to say ‘yes’ to anything to do with children’s charities, so it was a definite for me and I was really pleased to do it.
MN: How did the gig differ for you as a performer to other gigs you’ve staged as part of your tour?
Paloma: The most obvious difference was the band set-up. As I say the acoustics in the room were amazing. And it was a lot less beat driven.
MN: What was it like returning to the first stage and venue you ever performed on?
Paloma: It was nice. I have played there a few times since my very first performance and I’m always quite moved when I’m up on stage there.
MN: Your new album – Fall to Grace – seems to feature more agony and suffering than the last. And it seems to have pulled on the heartstrings more than the first. How do you think it differs in terms of sound and how it’s been received?
Paloma: I’ve always wanted to make records and that’s what I’ve done. I think sticking with the same production team has been really important to me, as it’s allowed me to be consistent in the music I make, write and record. I think the second album is much more recent and a lot more relevant to what’s been going on in my life. It came together and was recorded in less time than the first album too.
MN: Is it true you’ve been working on a 3rd studio album while in the States?
Paloma: I’m about to start my new album, yes. I’ve been in the States putting the feelers out, jotting down thoughts and ideas in little notebooks and thinking about people I want to write with.
MN: When’s it likely to be released and what can fans expect?
Paloma: We’ve no release date in mind just yet. It takes as long as it takes. What can fans expect? I don’t even know what it’s going to be like, so they can’t possibly know what to expect from my next album.
MN: As an artist Paloma, when are you at your happiest?
Paloma: On stage. I think it all goes hand in hand. But I’m happier when I’m on stage and everyone knows the words to my songs. I think I’m happiest when I’m on stage because it’s the only time I can really disconnect with reality. For me it’s like a little holiday from life, when I can just be me and in the moment. That’s why it’s so important for me to perform live.
MN: If you could collaborate with anyone in the world, who would it be and why?
Paloma: André 3000. I think he’s an innovator and really open-minded and unusual. I’d love to work with him on stuff. He’s so elusive and hard to get hold of though.
MN: What’s next for Paloma Faith?
Paloma: Well I’ve now finished my tour. And I’ve got this date coming up at the O2. The O2’s a big deal for me and I’m just hoping lots of people come to see me.