Hip-Hop Lives Here
Hip-Hop Lives Here
It’s Robert Smith‘s birthday so, naturally, fans of the singer are sharing what is commonly believed to be one of his greatest moments.
The musician, who is the frontman of The Cure, turns 64 today (Friday 21 April).
In 2019, he became a viral sensation on Twitter thanks to his hilariously deadpan response to an excitable reporter.
Smith was in attendance at that year’s Rock & Roll Hall of Fame, where The Cure were being inducted alongside Stevie Nicks, Janet Jackson, Def Leppard, The Zombies, Radiohead and Roxy Music.
The singer approached a chipper interviewer at Brooklyn’s Barclays Centre, who said to him: “Congratulations, The Cure – Rock & Roll Hall of Fame inductees 2019! Are you as excited as I am?”
Smith, without missing a beat, replied: “Um, by the sounds of it, no.”
The interviewer, brushing off the response, laughed in response, and asked him: “Oh, no, what are we going to do?”
Smith continued: “I’m sure we’ll get there eventually. It’s a bit early, isn’t it?”
The clip, which has been viewed more than 10m times, has been shared on social media to mark Smith’s birthday.
“One of my absolute favourite Twitter clips of all time. Perfect!” one Twitter user wrote in response.
In March, Smith hit out at Ticketmaster after fans sent him screenshots of the high fees they were being charged when buying tickets to see The Cure live.
The frontman used Twitter to express his frustration at the pricing system by the ticket site, which he says artists cannot “limit”.
“We had final say in all our ticket pricing for this upcoming tour, and didn’t want those prices instantly and horribly distorted by resale,” he wrote.
“We didn’t agree to the ‘dynamic pricing’ / ‘price surging’ / ‘platinum ticket’ thing…,” wrote Smith on the new higher tier system Ticketmaster has been trialling.
He later detailed what he meant by the tweet, writing: “I had a separate conversation about ‘platinum’ to see if I had misunderstood something… but I hadn’t!”
“All artists have the choice not to participate… If no artists participated, it would cease to exist,” he added.
However, when tickets went on sale, fans were reportedly hit by large fees that meant the cost of tickets was more than doubled.
Samith then announced that Ticketmaster would issue partial refunds to fans.
Share
Advertisement
Charles Barton is an electronic music artist who creates emotional and reflective songs. His latest track, “Lost Space,” is a minimal house and pop song that you can sit back and relax with but also get up and dance to. The atmosphere Charles crafted is centered around the whirlwind of emotions people can go through as they lay in bed at night.
When creating “Lost Space,” Charles wanted to capture a floaty feeling of being lost in your mind. By combining synthesizers and gentle percussion, the floating journey eases into an energized outro. The outro captures the controlled chaos of thoughts fully taking over the mind.
“When I was writing the lyrics, I was thinking about the times in my life when I’ve been trying to sleep but that anxious feeling is still there. It’s that experience of being lost in the stress. The lights are out and your mind is going crazy. Part of it is also surrendering to these feelings temporarily because fighting them is even harder. Sometimes you just have to let your mind do what it’s going to do,” he said.
His upcoming project, Grey Thoughts contains other tracks that deal with internal thought processing. There are songs centered around identity that discuss how people view themselves and how others view them and how these two perspectives can overlap together in moments of reflection.
“You’re in this gray space of having those outside influences but also your own feelings and thoughts. You’re caught between them,” he said.
In addition to the reflective soundscapes Charles creates, he also does something unique with his electronic music - he adds acoustic elements. With his background being the symphony orchestra world, Charles is well versed in a variety of instruments including guitar, violin, clarinet and unique woodwinds like the ocarina. By adding these acoustic elements, he aims to enhance the texture of his music with warmth.
“I like building the electronic soundscape and then bringing in the acoustic elements to add color, texture and an organic feeling. I don’t want it to feel too saturated with the digital sounds,” he said.
While the electronic music world is known for pulse pounding club music, Charles purposely sought out to do the opposite with “Lost Space.” By creating something with a slower tempo, he wanted to give people something different from both a tempo standpoint and a song structure standpoint. The track does have a hook, an entrancing vocal loop from Charles himself, but it has no verses.
“I wanted to play around with the idea of a non-traditional song structure. I wanted to do lyrics that are just the chorus. I was thinking of doing something simpler that people can still enjoy and appreciate the unique chorus focused aspect of it,” he said.
In addition to his solo music, Charles has also worked with multiple vocalists, especially ones from the R&B world. When collaborating with vocalists, Charles says he lets himself become the “background” and allows the artist to step into the foreground. In a literal sense, his production is the background for the artist’s vocals but he is also providing the sonic bed for those vocals.
Charles Barton is looking forward to releasing Grey Thoughts soon. He has plans for more music too which will take a different route sonically and have a new special aspect.
“Lost Space” by Charles Barton is available on streaming services now.
You can hear more of Charles Barton’s reflective music by keeping up with him on these platforms.
Website | Apple Music | Spotify | Instagram
The Starlight PR Team thanks Charles Barton for taking the time to speak with us.
Share
Advertisement
