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  • Doja Cat Felt Good That She ‘Pushed’ Herself For Oscars Bond Performance: ‘Brave and Scary as F–k For Me’

Doja Cat Felt Good That She ‘Pushed’ Herself For Oscars Bond Performance: ‘Brave and Scary as F–k For Me’

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You’d get nervous too if you were singing one of the most iconic movie songs of all time on the Oscars stage in front of a room packed with the most famous actors on the planet. So cut Doja Cat a break, will ya?

That was the message from the rapper on Monday (March 3) after her performance during a musical tribute to the James Bond franchise drew some online heat from haters. In an Instagram post featuring a carousel of her high-fashion looks from the big night, Doja answered the criticism with an honest take on the situation.

“I never get to sing like that and what I did was brave and scary as f–k for me,” the rapper wrote of following LISA from BLACKPINK’s run through Paul McCartney and Wings’ “Live and Let Die” with her crooning rendition of Shirley Bassey’s iconic “Diamond Are Forever”; she was followed by RAYE’s cover of Adele’s “Skyfall.”

“I know a lot of people didn’t like it but a lot of people did and I feel good that I pushed myself,” Doja Cat continued of the performance that opened with a surprise dance routine from actress Margaret Qualley. “The song is a classic and I put a lot of work into it but the nerves got to me and a b–ch hit some flats. I can’t wait to do something like that again. What a blessing that was. I feel amazing about the whole thing.”

Plus, she added, in case you had heat for any of the other female performers on the broadcast, “Also ALL the girls chewed down last night God BLESS them all. Absolutely gorgeous performances from everyone.”

RAYE felt Doja’s butterflies, copping to her own nerves in a separate Insta post in which she stated the obvious. “was sooo nervous to sing this song because no one can sing Adele like Adele, but I tried my very best. I am just so grateful to the Oscars Academy for this invitation to sing on this stage,” she wrote. The singer got strong support from a few of her fellow vocalists, with Jazmine Sullivan telling the British crooner, “U always kill it Raye!!,” and Paloma Faith adding, “Stuns huns.”

Check out the medley below.

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  • DJ Dan, Influential West Coast House Producer, Has Died

DJ Dan, Influential West Coast House Producer, Has Died

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Tributes have been shared following the passing of West Coast house producer DJ Dan, who has died at the age of 57. He was remembered as a “beloved, genre defying” figure in the scene.

Confirmation of his passing came from one of his representatives on Sunday, March 29, through a statement provided to Billboard. At this time, no details about the cause of death have been made public.

“It is with profound sorrow, deep admiration, and an enduring sense of gratitude and love that we announce the passing of Daniel Wherrett, known professionally to the world simply as DJ Dan,” the statement said, also calling him “one of the most beloved, genre-defying, and genuinely influential pioneers in the history of American electronic music.”

“He leaves behind not just a discography, but a culture, a way of feeling music that touched millions of souls across four decades and five continents. He often said he felt his purpose in life was ‘to heal through music.’”

DJ Dan had been scheduled to perform at Dead Ringer in Nevada on Saturday, March 28, but fans were informed only hours before the show that it would no longer take place and refunds would be issued. In a short message posted on Instagram, organisers only said that “unfortunately DJ Dan is unable to make it tonight.”

Further comments from Wherrett’s representatives described him as “a man who saw music in colours”, adding that his DJ sets were a “vision translated into something audiences felt in their bodies long before they understood it with their minds.”

“Off the stage, he was a cook, a traveler, an obsessive record collector whose family bought him a new turntable every Christmas, not because it was tradition, but because it was the only gift he ever wanted,” they continued.

“He leaves behind his music, his label, his mixes, and the countless thousands of dancers who found themselves, truly found themselves, in the middle of one of his sets. The world is quieter today. But press play on anything he touched, and you will hear exactly why we mourn him, and exactly why we are forever grateful he was here to inspire us.”

Since the news broke, fans have been sharing messages online to honour the late DJ. One fan wrote on X, formerly Twitter: “DJ Dan made some of the first mixtapes that got me into raving when I was young. So sad to hear this news,” while another posted: “RIP to a very formative person in how I entered into all of it.”

Another tribute read: “House music helped define an entire era of my life. DJ Dan was someone who shaped so many of my friends into the DJs they become,” while someone else shared: “RIP DJ Dan. A superbly nice person, fortunate to have known him and call him a friend.” More tributes can be found below.

 

 

 

 

 

 

Born Daniel Wherrett in Washington, DJ Dan originally studied design before relocating to California in the early 1990s to fully focus on electronic music. He later helped establish the Funky Tekno Tribe and became a key figure within the West Coast underground electronic scene.

By 1998, he had recorded ‘Essential Mixes’ for the BBC, and in 2004 he reached Number One on the Billboard Dance Club Songs chart with ‘That Phone Track’. Earlier releases including ‘Needle Damage’ from 1999 and ‘That Zipper Track’ and ‘Put That Record Back On’ from 2001 also charted on the Official Charts.

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