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  • VeeVerse Releases “Boarding Pass,” Giving Fans a Ticket to Multi-Diverse Hip Hop

VeeVerse Releases “Boarding Pass,” Giving Fans a Ticket to Multi-Diverse Hip Hop

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MURFREESBORO, TENNESSEE - After hitting the hip hop scene with his debut album, “Hayl,” VeeVerse has pulled out all the stops for his follow-up EP, “Boarding Pass.”

“The crazy thing is I don’t listen to hip-hop as much as people think I do. I listen to R&B, rock, and everything outside of hip hop,” said VeeVerse. “So, I know when I start writing that I have a clear mind. I’m always trying to be creative with my next pitch.”

VeeVerse’s creative process is unique but results in an ingenious four-track EP containing multiple hip hop styles, including pop, trap, and R&B influences which result in VeeVerse’s dynamic cadence. “I try not to sound the same on every individual track that I create,” explained VeeVerse. “My cadence changes within different genres that I collab with. My cadence is trappist and R&B. Of course, you still hear the same voice in each song, but I always try to be creative and think outside the box.”

“Boarding Pass” is produced by Tim Hill and represents VeeVerse’s ability to shift from rapping a sappy love song to a hype song to rally the audience to a pop-influenced piece.

The first track on “Boarding Pass” is “Air,” which includes a Phil Collins sample infusing a pop vibe. Written after the death of a friend, VeeVerse pours his heart out, paying tribute to his friend using the famous pop song’s beat as a background for VeeVerse’s silky smooth lyrics.

Channeling his inner J. Cole, “Line Em Up” is destined to be a crowd favorite with its mellow vibes as VeeVerse invites his haters to line up. “Line ’em up for whoever is coming against me,” he said. “Just line ’em up; I’m ready.”

“Nvm” (a.k.a. Never Mind) mixes singing and rapping in a hip-hop song, demonstrating his musicality to switch back and forth while relating to fans with the song’s message. While everyone deals with things out of their control, “Nvm” tells listeners to step back and simply say, ‘never mind’ and walk away from trouble, whether it is someone playing mind games or potential physical harm.

Going back to his rapping roots, “You Thought” rounds out the new EP with a strong trap performance. “I’m talking real reckless in this song. You can never get past me with anything. So, don’t think that you can,” he said, describing the lyrics.

“Boarding Pass” shows his growth as a musician and lyrical hip hop artist. Content with his first EP, VeeVerse knows “Boarding Pass” is a step up. “I reached into my bag and pulled out a little extra for this EP - a little extra energy and time with this one. I worked on it for months to make sure that it was right,” he said. “I listened to beats over and over again just to find the right one.”

As more fans get introduced to this born and raised Murfreesboro artist, VeeVerse has found his place in the hip hop world as a lyrical mastermind who can shapeshift musical genres. “I am multi-diverse. I don’t discriminate against nobody. I want everybody to enjoy my music. I’m just trying to bring everybody together when I create music,” he said.

Make sure to stay connected to VeeVerse on all platforms for new music, videos, and social posts.

Apple Music: https://music.apple.com/us/artist/veeverse/1051046558

SoundCloud: https://soundcloud.com/veeverse

Spotify: https://open.spotify.com/artist/05fCjnIamecAuTYoI076d6

YouTube: https://www.youtube.com/user/Vee615

Facebook: www.Facebook.com/VeeVerse

Instagram www.Instagram.com/VeeVerse

TikTok: https://vm.tiktok.com/ZM8qvArBF/

Twitter: www.Twitter.com/VeeVerse615

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  • Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

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Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.

Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.

This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.

From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?

“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”

He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”

 

It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?

“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”

Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.

“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”

Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”

“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”

The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?

“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”

Do they feel more new bands adopting that approach as the world continues its doom spiral?

“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”

We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.

“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,”  Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

Westside Cowboy
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?

“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”

Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.

“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”

He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”

‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.

Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.

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