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Charles Barton paints reflective soundscapes with his single “Lost Space”

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Charles Barton is an electronic music artist who creates emotional and reflective songs. His latest track, Lost Space,” is a minimal house and pop song that you can sit back and relax with but also get up and dance to. The atmosphere Charles crafted is centered around the whirlwind of emotions people can go through as they lay in bed at night.

When creating Lost Space,” Charles wanted to capture a floaty feeling of being lost in your mind. By combining synthesizers and gentle percussion, the floating journey eases into an energized outro. The outro captures the controlled chaos of thoughts fully taking over the mind.

When I was writing the lyrics, I was thinking about the times in my life when I’ve been trying to sleep but that anxious feeling is still there. It’s that experience of being lost in the stress. The lights are out and your mind is going crazy. Part of it is also surrendering to these feelings temporarily because fighting them is even harder. Sometimes you just have to let your mind do what it’s going to do,” he said.

His upcoming project, Grey Thoughts contains other tracks that deal with internal thought processing. There are songs centered around identity that discuss how people view themselves and how others view them and how these two perspectives can overlap together in moments of reflection.

You’re in this gray space of having those outside influences but also your own feelings and thoughts. You’re caught between them,” he said.

In addition to the reflective soundscapes Charles creates, he also does something unique with his electronic music - he adds acoustic elements. With his background being the symphony orchestra world, Charles is well versed in a variety of instruments including guitar, violin, clarinet and unique woodwinds like the ocarina. By adding these acoustic elements, he aims to enhance the texture of his music with warmth.

I like building the electronic soundscape and then bringing in the acoustic elements to add color, texture and an organic feeling. I don’t want it to feel too saturated with the digital sounds,” he said.

While the electronic music world is known for pulse pounding club music, Charles purposely sought out to do the opposite with Lost Space.” By creating something with a slower tempo, he wanted to give people something different from both a tempo standpoint and a song structure standpoint. The track does have a hook, an entrancing vocal loop from Charles himself, but it has no verses.

I wanted to play around with the idea of a non-traditional song structure. I wanted to do lyrics that are just the chorus. I was thinking of doing something simpler that people can still enjoy and appreciate the unique chorus focused aspect of it,” he said.

In addition to his solo music, Charles has also worked with multiple vocalists, especially ones from the R&B world. When collaborating with vocalists, Charles says he lets himself become the background” and allows the artist to step into the foreground. In a literal sense, his production is the background for the artist’s vocals but he is also providing the sonic bed for those vocals.

Charles Barton is looking forward to releasing Grey Thoughts soon. He has plans for more music too which will take a different route sonically and have a new special aspect.

Lost Space” by Charles Barton is available on streaming services now.

You can hear more of Charles Barton’s reflective music by keeping up with him on these platforms.

Website | Apple Music | Spotify | Instagram

The Starlight PR Team thanks Charles Barton for taking the time to speak with us. 

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Nat and Alex Wolff reflect on lessons from touring with Billie Eilish

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Welcome to SOUND ADVICE, Interview’s weekly space for playlists put together by our friends, foes and crushes. Over the past few weeks, the series has spotlighted selections from Skype Williams, True Blue and LSDXOXO. This time around, the focus shifts to indie pop duo and former Nickelodeon stars Nat and Alex Wolff, who are releasing their new self titled studio album this week, marking their third full length project together. Built around a run of singles written while they were on the road as support for Billie Eilish on her Hit Me Hard and Soft tour, the record includes songs such as “Soft Kissing Hour” and the more recent “Emilia,” hinting at a more confident and fully formed chapter for the brothers. Beyond the studio, both have stayed busy on screen as well, with Nat appearing in Shane Black’s heist film Play Dirty and Alex starring in the Chloë Sevigny fronted surreal comedy Magic Farm. To mark their return to music, we asked the brothers to put together a playlist and take part in our questionnaire, where they open up about their ideal collaborator, the songs that spark desire and the lessons they picked up while touring alongside one of the biggest pop stars on the planet.

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Best concert you went to in 2025: Alex G at Radio City [Music Hall]. Or the last show of Hit Me Hard and Soft tour in San Francisco. Or Cameron Winter at The Palace [Theatre].

What’s your national anthem?

NAT: “In My Life” and “Hey Jude” [by The Beatles] and  “Martha” by Tom Waits.

ALEX: The National Anthem.

One thing you’ve learned from Billie Eilish: Pickleball rules. Don’t step in the kitchen. How to be a world class artist with grace and make her fans all feel so special and beloved while never sacrificing her artistry or sense of cool.

What song on this playlist do you wish you wrote? “Ambulance Blues” [by Neil Young]. No one writes a heartbreaking line like Neil.

What song on this playlist turns you on? Not on the playlist (couldn’t find it). The theme on Mario Tennis Pro on the original Nintendo.

Where’s the afters?

NAT: At my house sitting in a circle listening to sad music.

ALEX: Ikea.

Describe the new record in three words:

ALEX: Nat and Alex.

NAT: The joke I came up with would get us in too much trouble with the internet.

Dream collab, dead or alive? Adrianne Lenker and Paul McCartney.

How do you rage?

NAT: Less than I used to.

ALEX: Nesquik.

Name your favorite artist nobody knows about: They might know but This is Lorelei or Astronauts etc.

Who’s the queen of pop? Billie [Eilish].

Best part about working with your sibling—and the worst? We get to hang out with each other so much more than we probably would. Worst. No one can ever tell us apart. Even our mom can’t these days. Our grandpa is 98 and has just decided there’s one of us.

The world is ending. What are you wearing?

NAT: We can’t come to an agreement. I said, “Eddie Murphy’s suit from [Eddie Murphy:] Raw.” Alex said that wasn’t very funny. He said, “shower cap.” I didn’t really think that was that funny. We argued a little, and then I just wrote this down explaining our process of answering questions for this interview.

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