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  • Charli xcx says ‘Brat’ helped her reach fans who didn’t get her before

Charli xcx says ‘Brat’ helped her reach fans who didn’t get her before

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Charli xcx’s 2024 album Brat marked a turning point in her career, but it also brought an intense level of attention that followed her everywhere.

That shift became a key source of inspiration for The Moment, the British dance pop artist’s mockumentary which premiered on Jan. 30. Directed by Aidan Zamiri, the high energy film offers an exaggerated reflection of Charli’s Brat era rise. Speaking to Billboard in a video interview shared on Monday Feb. 2, the singer and songwriter said the project was shaped by the real life “transition” she experienced during that period.

“I’d been this relatively niche artist, and then had suddenly been opened up to this huge new audience, some of whom really connected with me, some of whom only connected with aspects of me, some of whom liked me, but didn’t really get me,” Charli said during a Zoom conversation with Zamiri. “How much you’re under scrutiny, in the spotlight, being listened to, watched, is a really interesting thing. It made me so acutely aware of how hard that transition can be.”

Brat was released in June 2024 and climbed to No. 3 on the Billboard 200, marking the highest chart position of Charli’s career so far. The album also earned her three Grammy Awards. She sustained that momentum later in the year with a Brat remix project featuring a roster of well known collaborators, followed by the Brat Tour which wrapped up in August 2025.

In the time since, Charli has made it clear that the Brat chapter is behind her, noting that her attention has shifted toward acting roles and soundtrack work. In the coming weeks, she is set to release her Wuthering Heights companion album tied to Emerald Fennell’s upcoming film adaptation of the classic Charlotte Bronte novel.

“Nothing lasts forever — and no one lasts forever,” Charli told Billboard when explaining why she chose to close out the Brat era on her own terms. “I think I’ve alway’s known that. It’s cooler to just leave it all behind.”

That said, she still found joy in recreating the relentless club energy that defines The Moment, which she and Zamiri shot across 29 days. “Every single weekend, we would just go out and party,” Charli said of keeping the atmosphere alive on set. “Sometimes Aidan would just blast The Prodigy whilst they were setting up a shot.”

Watch Charli and Zamiri’s full interview with Billboard above.

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  • Reunited Talk Talk Musicians Perform ‘The Colour of Spring’ in London

Reunited Talk Talk Musicians Perform ‘The Colour of Spring’ in London

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Musicians from Talk Talk reunited for a one-off show celebrating the 40th anniversary of classic album ‘The Colour Of Spring’, and brought out Ride’s Mark Gardener, Ed Harcourt, Fyfe Dangerfield and more.

Check out what went down below, along with footage and the full setlist.

The gig took place on Saturday September 5 at the O2 Forum Kentish Town, and included a selection of songs from Talk Talk’s seminal album ‘The Colour of Spring’, in celebration of the milestone, along with some other classics from the band’s discography.

The band’s third studio album was released in February 1986 and represented a major transition for them musically – leaving behind the synthpop sound that had made them successful, and now embracing a more experimental, jazz and art pop-influenced approach.

For the gig on Saturday, musicians including Simon Brenner, the group’s founding keyboardist, as well as Phil Ramocon and Ian Curnow came together and paid tribute to their singer Mark Hollis, who passed away in 2019 at the age of 64.

They were joined on stage by Sophie Barker (Zero 7), Gale Paridjanian (Turin Brakes), Tim Eisenburg (Sweet Billy Pilgrim), Chris Hampson and Jacob Brown, as well as guest collaborations from Ed Harcourt and Guillemots’ Fyfe Dangerfield, and Ride’s Mark Gardener.

Both Harcourt and Dangerfield helped open the night with their own solo sets, and later returned to the stage during the main Talk Talk set.

To kick the headline set off, Elsenberg joined the band for ‘Today’ and ‘Talk Talk’, before later coming back for ‘I Don’t Believe In You’, and ‘The Party’s Over’.

Mark Gardener took to the stage to help break out ‘Living In Another World’ and ‘The Rainbow’, Fyfe Dangerfield joined for ‘Time It’s Time’, and Mark Harcourt helped perform ‘I Believe In You’ and ‘The Colour Of Spring’ – the latter of which being from Hollis’ 1998 solo album.

Sophie Barker joined in later in the set, and took on ‘Happiness Is Easy’, ‘Tomorrow Started’, ‘Such A Shame’, and fan favourite ‘It’s My Life’, while Olly Knights sang ‘Give It Up’. The set closed with ‘Life’s What You Make It’, which featured all guest performers.

Talk Talk’s setlist was:

‘Today’ (with Tim Elsenberg)
‘Talk Talk’ (with Tim Elsenberg)
‘Living in Another World’ (with Mark Gardener)
‘I Don’t Believe in You’ (with Tim Elsenberg)
‘Time It’s Time’ (with Fyfe Dangerfield)
‘The Rainbow’ (with Mark Gardener)
‘I Believe in You’ (with Ed Harcourt)
‘The Colour of Spring’ (Mark Hollis song, with Ed Harcourt)
‘Happiness Is Easy’ (with Sophie Barker)
‘Tomorrow Started’ (with Sophie Barker)
‘Give It Up’ (with Olly Knights)
‘Such a Shame’ (with Sophie Barker)
‘It’s My Life’ (with Sophie Barker)
‘The Party’s Over’ (with Tim Elsenberg)
‘Life’s What You Make It’

The gig this weekend took place shortly after Talk Talk released a 40th anniversary reissue of ‘The Colour Of Spring’, cut at half speed.

Before then, the band had already released a half-speed reissue of ‘Spirit Of Eden’, overseen by Mark Hollis’ son Charlie, as well as the band’s drummer Lee Harris and producer Matt Colton.

In an obituary for Mark Hollis, NME wrote: “Citing influences such as Debussy, Bartok, Miles Davis and John Coltrane, however, Hollis clearly had ambitions beyond the frivolous pop music of the early ‘80s. He shifted towards a more layered and organic style, improvising with an expanded band to create Talk Talk’s celebrated, 2 million-selling third album ‘The Colour Of Spring’, a Top Ten album in 1986 on the back of the prowling pianos and soaring guitar riffs of international hit ‘Life’s What You Make It’.”

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