Hip-Hop Lives Here
Hip-Hop Lives Here
AL99 (pronounced “Al nine-nine”) is an artist, producer and multi-instrumentalist on a mission to do more than just make music for people to listen to. He wants people to get inspired and motivated by it. He wants to be an example for young people and show them that being authentic leads to success. His latest track, “Addictive Visions" features Aisha Hall of Yapp City Music/Ghostface of Wu Tang, and demonstrates his desire for new experiences by achieving his goals through not only his music but all of his entrepreneurial endeavors.
Written in 2025, “Addictive Visions” is a laidback rap track with an entrancing melody where AL99 and Aisha Hall bring different flows but both discuss what they want and what they’re trying to achieve. AL’s flow is more relaxed but still confident as he slides from his verse to the hook. Meanwhile, Aisha Hall brings her confidence to the forefront with her verse which packs a punch but keeps the relaxed atmosphere of the track intact.
“I’m trying to see things I’ve never seen before. I’m trying to go places I’ve never been before. And I want to do that through the music path I’m on.” he said.
AL99 wants to lead by example through the authenticity in his music. And with that authenticity, comes diversity in the booth and in the boardroom. He’s earned degrees in Audio Production and Music Business and releases music through his company, TPC (To Progress the Culture) Music Production, whom he has a distribution deal with via Universal Music Group/Bungalo. He wants people to see that he’s an example of how to navigate the music world on your own terms by making the business decisions that are best for your music and everyone else on your team.
The diversity continues on the music side too with AL99 being a fan of music of all kinds and wanting young people to be inspired to live their truth and be themselves. As a multi-instrumentalist he plays the guitar, drums, and keyboard, giving himself a wide-ranging musical ear. This comes in handy not only when he produces his music but when he mixes and sometimes masters it too.
AL sees himself as a voice for those who may not have one because he himself was once the child that was interested in things that were not as popular with his peers. With age came the confidence to fully embrace these interests and now he’s built a career on musical diversity.
“I’m trying to bring something new to the industry. I feel like today people are more open to that in the rap world because people are starting to stray away from what we’ve been seeing for years. They’re embracing the new creative ways people are doing things and I’m a part of that.” he said.
With AL99 pursuing multiple paths that branch out from his music, motivation to keep moving forward is key. Motivation comes from his love of music and his love for sharing his journey in real time while people witness it with him. He feels as he grows in life his audience is growing along with him and they’re navigating life together. And the through line for this is his aforementioned authenticity and accountability.
AL99 has big plans for the future which include expanding his TPC brand and making movies since he already takes a cinematically intentional approach to his music. In addition to more music, he’s also got something special and unique planned to truly illustrate his story but listeners will have to stay tuned to see more about that.
“Addictive Visions” by AL99 featuring Aisha Hall is available on streaming services now.
You can see more of AL99’s authenticity and journey by keeping up with him on these platforms.
LinkTree | Apple Music | Spotify | YouTube | Instagram | Twitter | TikTok
The Starlight PR Team thanks AL 99 for taking the time to speak with us.
Tap in and stream “Addictive Visions” now!
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Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.
Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.
This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.
From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?
“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”
He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”
It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?
“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”
Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”
Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.
“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”
Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”
“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”
The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?
“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”
Do they feel more new bands adopting that approach as the world continues its doom spiral?
“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”
We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.
“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,” Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”
It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?
“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”
Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.
“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”
He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”
‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.
Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.
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