Hip-hop artist Thxrsday demonstrates versatility and authenticity in his latest release, “O V R T H I N K,” from the upcoming album of the same name. Inviting listeners to confront their own emotions, the thoughtful single acts both as an outlet for the artist and a moment for listeners to feel of their own accord.
Hailing from Tennessee (and born in Colorado), Thxrsday is a musician with abundant life experiences and the courage to share them. Taking inspiration from artists including The Weeknd, Kendrick Lamar, Juice WRLD, and XXXTentacion, Thxrsday blends the sounds of his surroundings with a perspective of his own. His goal, ultimately, is to meet listeners where they are in life and share the moment through his songs.
Moved by The Weeknd’s mixtape, “Thursday,” the artist eventually adopted a version of the title as his moniker. “That mixtape is my favorite and resonated the most with me as a person,” adds Thxrsday of his namesake.
The album O V R T H I N K showcases a cohesive variety that flows from one song to the next while compiling beats from various producers. “The album is arranged sonically but not chronologically,” explains the artist. “I curated it based on which songs sounded good next to the other ones, not necessarily how listeners are expected to listen to them.”
“Every song individually tells its own story,” he adds. “The first is the bittersweet introduction of who I am and where I come from. The second leads into the music scene and what I want to do here. The project isn’t supposed to be one story. It’s about getting people to know who I am. I’d rather have a song paint a picture than write words in a biography.”
Both the single and album title, “O V R T H I N K” is the fifth of nine songs on Thxrsday’s upcoming project. The single came to Thxrsday in the form of a rock-based beat by producer youngtaylor_. “I’m a huge fan of rock and guitars,” shares the rapper. “I heard the guitar, and it led to me telling the truth on the mic.”
“O V R T H I N K” is an experience to be had. As the song begins, the smooth rock breaks into a delightfully unexpected verse. There is never a moment of pause through the flows and movement of the single. Each section is carefully curated to pull listeners in and give them space to feel.
To Thxrsday, creating music is like therapy. “It’s only then that I open up and talk to the mic, like sharing with a friend. Music gave me the opportunity to open up and use it to show people how I’m really feeling — my deepest, darkest secrets.”
Thxrsday isn’t shy about pouring his heart and soul into song. “Everything I say is based off real experiences and things I’ve gone through. That’s then painted in the beautiful masterpiece of music.”
Ultimately, Thxrsday hopes listeners can find their own purpose and meaning in his songs. “I want my story to resonate with others but I don’t want to force a meaning. I want them to find it for themselves,” he adds.
O V R T H I N K is set to release on July 30, 2026. Following the release of O V R T H I N K and its namesake single (out July 3), Thxrsday looks forward to continuing to create and release music at a steady pace. ”Releasing new music is a no brainer,” says Thxrsday. “I want to touch upon different genres, drop some EDM songs.”
As for live performances, Thxrsday is eager to showcase his music onstage in the near future. In the meantime, fans can enjoy the entire album – in whichever order they like.
“O V R T H I N K” is available on all streaming platforms, with promotional support from Starlight PR.
Make sure to stay connected to Thxrsday on all platforms for new music, videos, and social posts.
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Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.
Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.
This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.
From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?
“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”
He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”
It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?
“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”
Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.
“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”
Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”
“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”
The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?
“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”
Do they feel more new bands adopting that approach as the world continues its doom spiral?
“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”
We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.
“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,” Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?
“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”
Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.
“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”
He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”
‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.
Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.