CHICAGO — August 19, 2026 — There is something infectious about Nia Na’an. Bright, playful and full of youthful energy, the Chicago-born artist approaches music with an uncomplicated philosophy: have fun, enjoy the moment and remember that everything is going to be okay. That spirit shines through on her latest single, “Bobble Bobble Wiggle Bounce,” released August 7, 2026.
Blending Pop, R&B and Hip Hop, “Bobble Bobble Wiggle Bounce” is an invitation to loosen up and let the music move you. Built around an irresistible groove and playful rhythmic phrasing, the track captures Nia’s carefree outlook while showcasing her knack for turning a simple moment into something memorable.
The song itself was born from an equally playful idea. Inspired by the rhythmic motion of Double Dutch jump rope, its concept began with imagining gumdrops jumping rope before evolving into the song’s melody and lyrics. What emerged is a track that can be enjoyed simply for its infectious energy while leaving plenty of room for listeners to interpret its playful lyrics in their own way.
For Nia, that sense of freedom is at the heart of her music. She is a young artist with an optimistic view of the world, someone who would rather spread joy than dwell on what weighs people down. Her music gives that personality a place to shine, creating an atmosphere where listeners can settle into the groove, smile and simply have a good time.
That intention is already evident in the song’s ability to linger. “Bobble Bobble Wiggle Bounce” has a subtly infectious quality, with its central refrain staying with listeners long after the track ends. Its understated backbeat keeps things relaxed rather than frantic, allowing Nia’s rhythmic vocal delivery to move naturally around the groove.
Nia’s creative world extends between her hometown of Chicago and California, where she spends time in Temecula and Los Angeles pursuing music and creative inspiration. Her Chicago roots remain an important part of her identity, connecting her to the urban energy and cultural traditions that helped inspire the song’s Double Dutch foundation.
Behind the music is producer John Martin Hunter of Cowhand Rockstar, LLC, whose production gives Nia room to inhabit her own colorful musical world. Rather than being defined by a single genre or mood, Nia’s music reflects a broad creative palette while allowing her personality to remain at the center.
Ultimately, Nia Na’an wants listeners to feel something simple but powerful: a little lighter than they did before they pressed play. “Bobble Bobble Wiggle Bounce” is her invitation to find the rhythm, embrace the fun and let go for a moment.
“I want people to know that no matter what’s happening around you, you can still find a reason to smile, dance and keep going. Everything gonna be alright!” — Nia Na’an
“Bobble Bobble Wiggle Bounce” is available now on Spotify, and received promotional
Visit Nia Na’an’s Official Website | Spotify | Apple Music and iTunes
Nia Na’an is a Chicago-born artist whose music blends Pop, R&B and Hip Hop with a playful, rhythmic sensibility. Spending time between Chicago and California, Nia brings a youthful perspective and an optimistic spirit to her music. Her songs reflect her love of fun, creativity, connection and the simple joys of being present in the moment.
Nia Na’an is managed and produced by John Martin Hunter on behalf of Cowhand Rockstar, LLC. Her music is part of The Proda J Collection, a sampling of Cowhand Rockstar’s rap, hip hop, pop and punk-inspired creations presented through Nia’s distinctive artistic voice. For more from John Martin Hunter and Cowhand Rockstar, follow along on YouTube, Instagram, and Facebook:
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Go check out “Bobble Bobble Wiggle Bounce” and stream it now!
Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.
Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.
This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.
From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?
“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”
He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”
It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?
“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”
Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.
“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”
Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”
“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”
The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?
“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”
Do they feel more new bands adopting that approach as the world continues its doom spiral?
“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”
We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.
“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,” Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?
“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”
Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.
“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”
He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”
‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.
Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.