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  • Justice Haze Creates Perfect Vibration for Life’s “Up’s and Down’s”

Justice Haze Creates Perfect Vibration for Life’s “Up’s and Down’s”

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ROCHESTER, NY - Growing up separated from his family and in a lock-up facility made Justice Haze the man he is today. Instead of falling prey to the sadness and hatred of separation, he used the experience to mold the man he is today - a hip-hop artist and Trinity Recordz owner whose hands-on studio work propels him as a rising star.

“Most artists are afraid to be themselves. They watch social media and become clout chasers,” said Justice Haze. “They write their songs and sell out the process of originality because they’re trying to be someone else. As soon as you do that, you deny your soul its chance to speak.”

Allowing his soul to speak is the foundation of all Haze’s work which begins during the writing process. Haze starts by hearing a tune in his mind and mimics it while adding a beat and harmony.

“I instantly hear it and the chorus. Then I know exactly what is supposed to go with the song and how I’m going to do it,” he explained. “I’ll start humming the song first to catch the vibe and make sure that I’m entering the right frequency. Hearing a song and its natural tune is a phenomenal place. It is then that you cross over to this realm with the song.”

Evidence for Haze’s genius is found in his latest track, “Up’s and Down’s.” The upbeat song contains a vibration like how the first cup of morning coffee energizes you throughout the day. “Everybody needs that cup of java just to get their day going. I thought I could make a song that can qualify to people as energy for their cup of java that they gotta have,” he said.

Describing the song’s deeper meaning, Haze added, “Up’s and Down’s” lets fans know that while life has its ups and downs, “you cannot run from problems but be ready to keep your feet on the ground and get at it.”

Blending melodic hooks with a contagious harmony between the music and lyrics, “Up’s and Down’s” showcases Haze’s ability to grind out a song showcasing his musicality consistency and quality musicianship. As his discography grows, Haze proves he is a consistent artist that only produces quality music, resulting from his studio collaboration with engineers and producers. Haze knows what he wants.

Letting others get in on the magic, Haze revealed the upcoming “Up’s and Down’s” music video would include video clips submitted by fans. More information will be announced on his socials on how fans can submit their workout clips to be used in the video.

With purity in his music like no other, Haze guarantees fans that his music is free of lies, “There is no deceitfulness in it. This is purity. You can grow from this - play this music, and you can grow into a better person. This music can change your life.”

Justice Haze knows that it can. He has transformed his life into an artist reaching for the stars with each lyrical rhyme and beat in just a few years.

Make sure to stay connected to Justice Haze on all platforms for new music, videos, and social posts.

Apple Music: ​​https://music.apple.com/us/artist/justice-haze/1596373551

SoundCloud: https://soundcloud.app.goo.gl/8FZuY

Spotify: https://open.spotify.com/artist/3RnN0DQgKvpYrAjZBWRVX9

YouTube: https://youtube.com/c/TrinityRecordz

Facebook: https://m.facebook.com/108326114938860/

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  • Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

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Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.

Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.

This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.

From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?

“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”

He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”

 

It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?

“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”

Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.

“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”

Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”

“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”

The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?

“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”

Do they feel more new bands adopting that approach as the world continues its doom spiral?

“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”

We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.

“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,”  Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

Westside Cowboy
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?

“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”

Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.

“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”

He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”

‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.

Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.

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