Hip-Hop Lives Here
Hip-Hop Lives Here
Hailing from Bronx, NY, HULKSICKO! is an artist that you’ll surely become familiar with in the next couple of years. The independent artist describes his name as being derived from a childhood nickname for always lifting weights after basketball practice. He added the exclamation point for emphasis, so that people could “feel him.” Anyone who listens to his music will certainly feel his distinct uptempo and melodic style along with meaningful lyrics that reflect the trials and tribulations of growing up in the Bronx. Having lived in Section 2 in the Co-op City of Bronx until age 14, HULKSICKO! would find trouble often. His mother, who immigrated from Liberia,found it best to move their family upstate so that her children could focus on staying on the right path.
A music career wasn’t always on the artist’ radar. HULKSICKO! was a star athlete, having received two Division One college basketball offers after his freshman year, but after a traumatizing hip injury, he ultimately decided to retire the jersey and pivot his energy toward the studio. He reminisces and says, “I found myself recording more. My sound started to get better and I saw myself transitioning from athlete to artist.”
Like any skilled musician, HULKSICKO! had the natural ability to connect with his fans. His potential in music didn’t become clear until he received a DM (Direct Message) on Instagram from someone in Germany saying they cried to his song on the night of their mother’s funeral. He realized that if he could provide an emotional experience from a random overseas fan, there’s no telling where his music could take him.
The Bronx native started to gain international recognition when he ventured to China to further grow his music career, something uncommon for new artists. If you follow him on Instagram, you’ll see the Chinese characters as captions for all of his highlight reels.He adds. “The fact that I speak Chinese influences some of the harmonies that I think of while making music.” He visited twice and went to 10 different cities while there and lived there for a whole month at one point. He even had planned to move to Shenzhen, the “Miami of China”, according to HULKSICKO!.
HULKSICKO! joins a grip of artists who recently moved West for his music. He is currently living in Los Angeles using the COVID Pandemic downtime to adjust to a whole different coast, work on video content and edit his unreleased music. “After I created a routine [in LA] and I had the right energy around me, I knew it was going to be a better fit than New York for what I wanted to accomplish. There’s a lot of temptation in New York, when you’ve got time on your hands you could get yourself into something you might not want to.”
What does the future hold for HULKSICKO!? He’s been listening to alot of UK artists, so a collaboration is up his sleeve. One of his goals is to have a platinum record. After music he says he sees himself expanding his artistic vision toward architecture, perhaps investing into real estate.
You can check out HULKSICKO!’s music on Spotify, Apple Music, YouTube and all the major platforms!
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Tributes have been shared following the passing of West Coast house producer DJ Dan, who has died at the age of 57. He was remembered as a “beloved, genre defying” figure in the scene.
Confirmation of his passing came from one of his representatives on Sunday, March 29, through a statement provided to Billboard. At this time, no details about the cause of death have been made public.
“It is with profound sorrow, deep admiration, and an enduring sense of gratitude and love that we announce the passing of Daniel Wherrett, known professionally to the world simply as DJ Dan,” the statement said, also calling him “one of the most beloved, genre-defying, and genuinely influential pioneers in the history of American electronic music.”
“He leaves behind not just a discography, but a culture, a way of feeling music that touched millions of souls across four decades and five continents. He often said he felt his purpose in life was ‘to heal through music.’”
DJ Dan had been scheduled to perform at Dead Ringer in Nevada on Saturday, March 28, but fans were informed only hours before the show that it would no longer take place and refunds would be issued. In a short message posted on Instagram, organisers only said that “unfortunately DJ Dan is unable to make it tonight.”
Further comments from Wherrett’s representatives described him as “a man who saw music in colours”, adding that his DJ sets were a “vision translated into something audiences felt in their bodies long before they understood it with their minds.”
“Off the stage, he was a cook, a traveler, an obsessive record collector whose family bought him a new turntable every Christmas, not because it was tradition, but because it was the only gift he ever wanted,” they continued.
“He leaves behind his music, his label, his mixes, and the countless thousands of dancers who found themselves, truly found themselves, in the middle of one of his sets. The world is quieter today. But press play on anything he touched, and you will hear exactly why we mourn him, and exactly why we are forever grateful he was here to inspire us.”
Since the news broke, fans have been sharing messages online to honour the late DJ. One fan wrote on X, formerly Twitter: “DJ Dan made some of the first mixtapes that got me into raving when I was young. So sad to hear this news,” while another posted: “RIP to a very formative person in how I entered into all of it.”
Another tribute read: “House music helped define an entire era of my life. DJ Dan was someone who shaped so many of my friends into the DJs they become,” while someone else shared: “RIP DJ Dan. A superbly nice person, fortunate to have known him and call him a friend.” More tributes can be found below.
Born Daniel Wherrett in Washington, DJ Dan originally studied design before relocating to California in the early 1990s to fully focus on electronic music. He later helped establish the Funky Tekno Tribe and became a key figure within the West Coast underground electronic scene.
By 1998, he had recorded ‘Essential Mixes’ for the BBC, and in 2004 he reached Number One on the Billboard Dance Club Songs chart with ‘That Phone Track’. Earlier releases including ‘Needle Damage’ from 1999 and ‘That Zipper Track’ and ‘Put That Record Back On’ from 2001 also charted on the Official Charts.
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