Hip-Hop Lives Here
Hip-Hop Lives Here
CALIFORNIA - Many musicians release singles and hope fans connect to it. However, true artists use their music to bond with fans through a mutual experience or connection. For Amedee, identifying with his fans drives him every day in the studio.
“I make really good music,” said Amedee, who refers to his music as substance/reality rap. “Identifying with the people and trying to relate is what’s most important to me and my music because if you can’t relate with people and they can’t understand, there’s no point. When I write, I don’t necessarily write about what you’re going through or what your group of people is going through. Every song I make comes from my personal experience and my reality. It’s not about anybody else, but people feel as if I’m speaking for them also because they can relate to my truths. People appreciate my honesty. I’m a very transparent and genuine person.
Amedee is fast becoming the go-to hip-hop artist for mid-tempo emotional, heartfelt music that people can relate to. While he does his share of party music, his latest release, “To Whom It May Concern,” rides a vibe that showcases his genuine rap style with slick punch lines and lyrics that resonate with every listener. Mixed with a melodic reggae-ish vibe paying homage to Bob Marley, Amedee’s track does not sound like the typical rap song, but the music is catching fire due to the way it hooks listeners into its message and vibe.
While navigating through life and shutting out the doubters, Amedee said, “To Whom It May Concern” is his statement to his cynics. “This is my F-U song for anybody that’s doubted me and everybody that talks about me. It’s an introduction song, ‘hello, I’m Amedee, nice to meet you.’ I’m telling them you can hate me now but just wait ’til I bubble. I’m one of those people who gave and gave and just kind of got shitted on. This is my F-U; I am who I am, song to the world.”
While Amedee said “To Whom It May Concern” is a personal song, he knows fans across the globe can identify with its lyrics. “Everyone at some point in their life hears a lot of chatter from the outside, opinions about the way they are,” he said. “This is my shut the F-Up and let me live type of song.”
“To Whom It May Concern” was recorded at Eravox Studios in Carlsbad, with Amedee taking an active role in its creation. He went old school and resisted using autotune on this track using a beat from German producer Arma. Amedee’s creative abilities shine through the track’s every note from recording all the sound effects himself and voices for the song.
Devoting all his time to writing and producing music while trying to maintain a balance between being a father and having a 9-5, Amedee believes in his talent and seeks the respect he deserves from industry members. It is evident with his latest release that he is on the cusp of becoming a household name.
“I dedicated my life to music. I dropped out of culinary school to make music. I was one of those people who took music seriously and has given it his all,” he said. “Now, I want people to hear my music.”
Make sure to stay connected to Amedee on all platforms for new music, videos, and social posts.
Website: https://AmedeeMusic.com
YouTube: https://youtu.be/dEPo4QeTNRw
Instagram: https://www.instagram.com/amedeemusic/?hl=en
Twitter: https://mobile.twitter.com/AmedeeMusic
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Would Johnny Marr place one of his solo songs ahead of favourites from The Smiths and Electronic? His choices are revealed in NME’s Blind Ranking video below.
Ahead of the release of ‘The Age Of Everything’, which arrived last Friday, October 2, NME sat down with the guitarist for a look back through his catalogue. Marr was challenged to place five songs in order of greatness, choosing a position for each without knowing which song would follow.
Electronic’s ‘Getting Away With It’ came first, with Marr saying it “goes down very very well, even if people are hearing it for the first time”. Next came ‘Spin’, taken from his latest solo album. Reflecting on the newer song, he admitted that “not everybody knows it, but it makes an impression”.
When ‘This Charming Man’ by The Smiths came up, Marr observed: “Obviously it’s very well known, but it goes by so quick.” The track remains a “connection” to his younger self, he explained: “I can hear the young man who wrote those guitar parts”. He described his 2014 solo release ‘Easy Money’ as “pretty catchy”, adding that it “goes off bigger than any other at any gig”. He then considered another much loved Smiths song, ‘There Is A Light That Never Goes Out’.
“Beautiful song to play. Very proud of it still,” Marr reflected. Recalling a recent performance in Liverpool, he added that “it occurred to me that it’s the ‘You’ll Never Walk Alone’ of my generation.”
See where each song landed in Marr’s ranking by watching the video below, then share your own order in the Instagram comments.
The wider conversation with NME covered his “emphatic” album ‘The Age Of Everything’, his admiration for The Cure and Fontaines D.C., and his thoughts on why Andy Burnham should be able to listen to The Smiths. Read the complete interview with Marr here.
A Liverpool concert on November 14 is next on Marr’s schedule, followed by a brief run of dates with stops in Mexico, São Paulo and Chile. His largest solo headline performance to date at OVO Arena Wembley had been planned for later this month, but has been postponed, with a replacement date yet to be announced.
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