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  • Norman Collins revamps 4 decade old track in a catchy new rock single “I Wanna Rule Somebody” off the LP Front Porch Philosopher

Norman Collins revamps 4 decade old track in a catchy new rock single “I Wanna Rule Somebody” off the LP Front Porch Philosopher

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Norman Collins has put out a new potent rock track titled “I Wanna Rule Somebody,” which has been long in the works and now ready for the masses to hear on the new record Front Porch Philosopher.

“I wrote this song in 1981, believe it or not,” Collins said. “It’s like 40 years old. I’ve been playing it in various bands all this time, and we changed up the chorus a little bit, but I wrote the rhythm all the way back. I hadn’t heard it in any other songs, so I got a verse and some words, and the put bridge together. All my songs basically start with rhythm guitar.”

The LP has 10 tracks that range from straight ahead rock, to melancholic folky ballads, some funk with horns, and even a little bit of calypso style music to show the diversity that Collins beholds.

“There’s a nice mixture of rhythm and a change of pace from song to song,” he said. “If you listen to the song ‘That’s the Way It’s Got to Be’ and ‘I Wanna Rule Somebody’ you’d think it was two different people.”

Collins said the melody always comes first and sometimes it takes a while for the words to get to the end result. He will often spit out nonsense into a tape recorder, or jot it down on paper, without really thinking about the song and where it is heading.

“This one just kind of popped up,” Collins said of the new single. “I had this idea about trying to have power over people. It could be your annoying office worker, or a political dictator. Anyone really. But in a way it was a little bit about Jim Jones and the Peoples Temple. People who just wanted to have power to have people follow them. It just shows how insecure people can be to feel good about themselves.”

“I wanna rule somebody,
I don’t care about who it is”

Collins wants to make it clear that there’s no need to try to be powerful all the time. It’s important to just be happy the way you are, and not force people into your world.

“‘I don’t care who I use, it’s all the same to me’ is one of those powerful lyrics in the song,” he said. “That’s pretty much what these cults turn into. You know, I can choose who I want. I can let you in. You see it all over the world, really. That love of power.”

Collins has been playing music with countless bands, dabbling in all different styles, since he was a teenager. He moved from St. Louis to Nashville to play music when he was 19, and lived there for about three years touring with various top 40 bands. In 1971, Collins went on the road playing guitar with Rock and Roll Hall of Famer Hank Ballard, and wrote a funky track with him called “I’m a Junkie for My Baby’s Love.” At that time, you couldn’t say anything like junkie on the radio, and while Collins thought it would be a big hit, no radio station would play it.

From Nashville, he moved to Warrensville, N.J. to play with several well accomplished saxophone players before moving to Los Angeles. He played with various groups, but mostly worked at a gas station, he admitted. This was 1975, and Collins didn’t think there were enough places to play in the city. He moved up to San Francisco to play country guitar for a band called Hickory Switch and then one called Kingdom Come, and has lived there ever since.

“I was a pawn broker, and a school bus driver at one point,” he said. “All these jobs allowed me to play music during the week and on weekends. I wasn’t constricted by any jobs, but I was always in a band. I’ve been in a band since I was about 17.”

Collins met an arranger in Grass Valley, California named Paul Kraushaar, who can play just about any instrument. The two got to work and put out what Collins feels is an incredible album that was finished up this past May. Kraushaar plays everything except guitar (drums, piano, bass and keys) on the record.

Collins has been with his band, the Tumblers, for about five years, and all the songs on the new LP have been played tried and true for some time now.

While the LP features Collins and Kraushaar, the Tumblers in a live setting includes Ed McClary on drums and Tom McManus on bass. He said all their gigs are a little different, going from background music to a full on concert. Collins prides in the band being super tight and really bringing the songs to life.

“It’s a lot of fun with rhythm” Collins said. “I also have some new songs that I’m working on that I play with the band. It’s a little different and folky. I don’t like having two songs sound alike.”

Be sure to check out the music of Norman Collins, including the new LP Front Porch Philosopher, featuring “I Wanna Rule Somebody.”

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  • Deadpan Robert Smith interview resurfaces as The Cure singer celebrates 64th birthday

Deadpan Robert Smith interview resurfaces as The Cure singer celebrates 64th birthday

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It’s Robert Smith‘s birthday so, naturally, fans of the singer are sharing what is commonly believed to be one of his greatest moments.

The musician, who is the frontman of The Cure, turns 64 today (Friday 21 April).

In 2019, he became a viral sensation on Twitter thanks to his hilariously deadpan response to an excitable reporter.

Smith was in attendance at that year’s Rock & Roll Hall of Fame, where The Cure were being inducted alongside Stevie Nicks, Janet Jackson, Def Leppard, The Zombies, Radiohead and Roxy Music.

The singer approached a chipper interviewer at Brooklyn’s Barclays Centre, who said to him: “Congratulations, The Cure – Rock & Roll Hall of Fame inductees 2019! Are you as excited as I am?”

Smith, without missing a beat, replied: “Um, by the sounds of it, no.”

The interviewer, brushing off the response, laughed in response, and asked him: “Oh, no, what are we going to do?”

Smith continued: “I’m sure we’ll get there eventually. It’s a bit early, isn’t it?”

The clip, which has been viewed more than 10m times, has been shared on social media to mark Smith’s birthday.

“One of my absolute favourite Twitter clips of all time. Perfect!” one Twitter user wrote in response.

In March, Smith hit out at Ticketmaster after fans sent him screenshots of the high fees they were being charged when buying tickets to see The Cure live.

The Cure singer Robert Smith
The Cure singer Robert Smith (Getty Images For The Rock and Ro)

The frontman used Twitter to express his frustration at the pricing system by the ticket site, which he says artists cannot “limit”.

“We had final say in all our ticket pricing for this upcoming tour, and didn’t want those prices instantly and horribly distorted by resale,” he wrote.

“We didn’t agree to the ‘dynamic pricing’ / ‘price surging’ / ‘platinum ticket’ thing…,” wrote Smith on the new higher tier system Ticketmaster has been trialling.

He later detailed what he meant by the tweet, writing: “I had a separate conversation about ‘platinum’ to see if I had misunderstood something… but I hadn’t!”

“All artists have the choice not to participate… If no artists participated, it would cease to exist,” he added.

However, when tickets went on sale, fans were reportedly hit by large fees that meant the cost of tickets was more than doubled.

Samith then announced that Ticketmaster would issue partial refunds to fans.

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