Hip-Hop Lives Here
Hip-Hop Lives Here
SZA has teased the possibility of releasing two albums of “peaceful children’s music” to complete her current contractual requirements.
The singer and rapper released ‘Lana’ last month after almost a year of speculating about its release. Rather than a standalone album, it exists as a deluxe version of her 2022 LP ‘SOS’, her second studio record.
Now, just weeks after it became available, SZA has suggested that she is ready to move on from its slick R&B aesthetic and onto a very different vibe, even hinting that she is tempted to seek a quieter life after fulfilling her current obligations.
Writing on X on Saturday (January 4), SZA wrote: “To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here. Then go be a farmer n donate the produce to underserved communities.”
Both ‘SOS’ and its 2017 predecessor ‘Ctrl’ were released as part of SZA’s deal with Top Dawg Entertainment and RCA Records. It is not clear how many more albums she is signed up for as part of the deal, but her comments would suggest that there are two remaining full-lengths expected as part of the contract.
‘Lana’ added an extra 15 tracks to ‘SOS’ existing 23 songs, bringing the overall number of tracks associated with the project to 38. However, last week, SZA told fans that “all updated mixes” and “new songs” are due to be added on Monday (January 6), “when the label comes back from holiday”.
When it was eventually shared on December 20, ‘Lana’ included a Kendrick Lamar feature on ‘30 For 30’, as well as production from Lil Yachty and Benny Blanco on one track each.
Lamar’s feature comes after SZA appeared on his surprise album ‘GNX’, and the pair and labelmates have announced a joint North American tour for this year.
The singer also revealed on Christmas Day that she had parted ways with Terrence “Punch” Henderson, who she has worked with since 2011. Henderson, the co-president of Top Dawg Entertainment (TDE), had been heavily involved in the making of ‘Lana’.
When ‘SOS‘ was first released, it received acclaim from critics, as well as nine Grammy nominations. It hit Number One on the Billboard 200 and Number Two on the UK Single Chart, also being certified 3x Platinum in the US.
In a five-star review of ‘SOS’, NME described it as “a comeback album well worth the wait,” adding: “’I’m making the best album of my life for this next album,’” SZA told Flaunt in 2020 and ‘SOS’ is just that – a phenomenal record that barely puts a foot wrong and raises the bar even higher than she set it before. That quote, though, came with a caveat: ‘Because it’s going to be my last album.’ Here’s hoping SZA reneges on that declaration but, if this is the last we hear from here, at least she’s going out on the highest of highs.”
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The surviving members of Canadian progressive rock outfit Rush have reflected on their final tour, sharing their regrets that the tour didn’t extend to the likes of the U.K. and Europe.
Close to ten years on from their final run of shows, Rush bassist Geddy Lee and guitarist Alex Lifeson spoke to Classic Rock magazine about the group’s last gigs, apologizing to the British and European fans who didn’t get a chance to see them perform live.
“I’d pushed really hard to get more gigs so that we could do those extra shows and I was unsuccessful,” Lee said of the band’s R40 Live Tour. “I really felt like I let our British and European fans down. It felt to me incorrect that we didn’t do it, but Neil [Peart] was adamant that he would only do thirty shows and that was it.
“That to him was a huge compromise because he didn’t want to do any shows. He didn’t want to do one show.”
Rush’s R40 Live Tour kicked off in Tulsa, OK in May 2015, and featured a total of 35 shows across the U.S. and the band’s native Canada, ending in August of that year. Ultimately, while Rush’s dedicated fanbase called out for more dates to be added, these would become the final performances from the veteran band. Despite releasing their final album, Clockwork Angels, in 2012, Rush’s dissolution wasn’t confirmed until the death of longtime drummer Neil Peart in January 2020.
While Lee would detail the band’s final tour in his 2023 memoir, My Effin’ Life, he admitted to being very cautious in regard to how he discussing Peart’s death, but strived to be as candid as he could so as to give Rush’s audience the closure they wanted about the band’s end.
“I just kind of felt I owed an explanation to them, the audience,” Lee explained. “It’s part of why I went into the detail I did about Neil’s passing in the book, was to let fans in on what went down. That it wasn’t a straight line.
“This is how complicated the whole world of Rush became since August 1 of 2015 until January 7th of 2020 when Neil passed. Those were very unusual, complicated, emotional times. Fans invested their whole being into our band and I thought they deserved a somewhat straight answer about what happened and how their favourite band came to end.”
Lifeson also expressed his disappointment about Rush being unable to tour some of their favourite markets as part of their final run, noting that while Peart’s scheduling demands and health issues made further shows impossible, an additional “dozen or so” dates may have made the surviving members “a bit more accepting”.
“There was a point where I think Neil was open to maybe extending the run and adding in a few more shows, but then he got this painful infection in one of his feet,” Lifeson added. “I mean, he could barely walk to the stage at one point. They got him a golf cart to drive him to the stage. And he played a three-hour show, at the intensity he played every single show.
“That was amazing, but I think that was the point where he decided that the tour was only going to go on until that final show in LA.”
Having formed in Toronto in 1968 by Lee, Lifeson, and original members John Rutsey and Jeff Jones, Rush began to find widespread fame throughout the ’70s, with Peart replacing Rutsey following the recording of their 1974 self-titled debut.
While much of Rush’s touring was confined to the U.S. and Canada, the U.K. was their next most popular market, with European countries such as Germany and the Netherlands following behind. Curiously, Rush rarely ventured beyond these territories, with countries such as Australia never hosting the band on their shores.
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