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New York rapper Ice Spice has used the penultimate show of her current touring schedule to share a brief apology for a controversial appearance at an Australian festival last week.
Ice Spice has spent the new year period in Australia, where she was booked to perform at a couple of festivals, including the Beyond the Valley festival in the state of Victoria, and three legs of the Wildlands Festival in capital cities Brisbane, Perth, and Adelaide.
The Brisbane edition of Wildlands took place on New Year’s Eve, just one day ahead of Ice Spice’s 25th birthday, and as one of the headliners, the musician was scheduled to perform in the 10:30pm – 11pm slot. While her spot was reportedly brought forward by five minutes, Ice Spice was ultimately 30 minutes late to the stage, and didn’t appear before the crowd until 10:55pm.
Due to the festival’s tight scheduling ahead of the evening’s celebrations, Ice Spice was only able to perform two songs – including “Deli” and “Princess Diana” – before her microphone was cut off during “In Ha Mood”.
“At 11.01pm – they gave her an extra minute – they cut the mic and you heard the collective sigh from the crowd,” journalist and podcaster Brenton Larney told The Guardian. “They’d been waiting for a while and they get two songs?
“So that was a bit ridiculous and it was just really disrespectful how she walked off, she was laughing, they tried to give her flowers for her birthday and she just shrugged them off,” he added, noting that it seemed as though the musician “didn’t want to be there”.
Though initially silent in the aftermath of the festival, organizers later addressed the situation via their Instagram comment section, explaining that Ice Spice’s microphone had to be cut off to ensure the rest of the festival – which included a countdown from U.K. duo Chase & Status – ran to time.
“We understand that Ice Spice’s delayed arrival caused some disappointment,” the festival stated. “Managing a stacked festival means that we have to be extremely firm with set times. We had a strict curfew of 12:30 and need to ensure that the final act went on stage on time, so everyone could enjoy the New Year’s Eve countdown.”
While Ice Spice was herself silent following the event, the musician returned to the stage on Saturday (Jan. 4) to perform at the Perth leg of the festival, where she briefly addressed the situation ahead during her set, as local radio station Youth Jam have reported.
“I’m sorry guys, surely y’all can forgive me,” she was quoted as saying. “It was my birthday and it takes a long time to look like a Barbie.” The statement was ostensibly shared as a brief lead in to her next song, the Nicki Minaj collaboration “Barbie World”.
Ice Spice wrapped up her current touring plans the following day (Jan. 5) with a performance in Adelaide, closing out the global tour in support of her debut album, Y2K!. The record received largely positive reviews from critics and reached No. 18 on the Billboard 200 and No. 3 on the Top R&B/Hip-Hop Albums chart.
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The surviving members of Canadian progressive rock outfit Rush have reflected on their final tour, sharing their regrets that the tour didn’t extend to the likes of the U.K. and Europe.
Close to ten years on from their final run of shows, Rush bassist Geddy Lee and guitarist Alex Lifeson spoke to Classic Rock magazine about the group’s last gigs, apologizing to the British and European fans who didn’t get a chance to see them perform live.
“I’d pushed really hard to get more gigs so that we could do those extra shows and I was unsuccessful,” Lee said of the band’s R40 Live Tour. “I really felt like I let our British and European fans down. It felt to me incorrect that we didn’t do it, but Neil [Peart] was adamant that he would only do thirty shows and that was it.
“That to him was a huge compromise because he didn’t want to do any shows. He didn’t want to do one show.”
Rush’s R40 Live Tour kicked off in Tulsa, OK in May 2015, and featured a total of 35 shows across the U.S. and the band’s native Canada, ending in August of that year. Ultimately, while Rush’s dedicated fanbase called out for more dates to be added, these would become the final performances from the veteran band. Despite releasing their final album, Clockwork Angels, in 2012, Rush’s dissolution wasn’t confirmed until the death of longtime drummer Neil Peart in January 2020.
While Lee would detail the band’s final tour in his 2023 memoir, My Effin’ Life, he admitted to being very cautious in regard to how he discussing Peart’s death, but strived to be as candid as he could so as to give Rush’s audience the closure they wanted about the band’s end.
“I just kind of felt I owed an explanation to them, the audience,” Lee explained. “It’s part of why I went into the detail I did about Neil’s passing in the book, was to let fans in on what went down. That it wasn’t a straight line.
“This is how complicated the whole world of Rush became since August 1 of 2015 until January 7th of 2020 when Neil passed. Those were very unusual, complicated, emotional times. Fans invested their whole being into our band and I thought they deserved a somewhat straight answer about what happened and how their favourite band came to end.”
Lifeson also expressed his disappointment about Rush being unable to tour some of their favourite markets as part of their final run, noting that while Peart’s scheduling demands and health issues made further shows impossible, an additional “dozen or so” dates may have made the surviving members “a bit more accepting”.
“There was a point where I think Neil was open to maybe extending the run and adding in a few more shows, but then he got this painful infection in one of his feet,” Lifeson added. “I mean, he could barely walk to the stage at one point. They got him a golf cart to drive him to the stage. And he played a three-hour show, at the intensity he played every single show.
“That was amazing, but I think that was the point where he decided that the tour was only going to go on until that final show in LA.”
Having formed in Toronto in 1968 by Lee, Lifeson, and original members John Rutsey and Jeff Jones, Rush began to find widespread fame throughout the ’70s, with Peart replacing Rutsey following the recording of their 1974 self-titled debut.
While much of Rush’s touring was confined to the U.S. and Canada, the U.K. was their next most popular market, with European countries such as Germany and the Netherlands following behind. Curiously, Rush rarely ventured beyond these territories, with countries such as Australia never hosting the band on their shores.
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