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  • Placebo Hint At Major Plans To Mark 30 Years Of Their Debut Album

Placebo Hint At Major Plans To Mark 30 Years Of Their Debut Album

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Placebo have hinted that they have something “significant” planned to mark the 30th anniversary of their debut studio album.

Read More: Placebo interview: “David Bowie taught me how to be a better person”
Frontman Brian Molko reflected on the band’s early days during an interview with VRT Radio 1 in Antwerp, Belgium. The station recently hosted a special celebration gig for dEUS in the city, where Molko performed live with the Belgian rock group.

He was asked whether he could imagine Placebo taking on a retrospective run of shows for the album’s 30th year, performing the 1996 self-titled record from start to finish.

“Well, we have a 30th anniversary coming up very soon, next year,” Molko replied. “Yeah. It’s the 30th anniversary of our first record. And yes, we will definitely be doing something quite significant to celebrate the 30 years.”

He added: “That’s a bit of a scoop for you.” Watch at the six-minute-30-second mark in the video here:

Earlier in the VRT Radio 1 interview, Molko looked back on Placebo’s “chaotic” early days and their period touring with dEUS in the ’90s. “I think we were as chaotic as each other, as bands,” he said. “We were kind of kindred spirits. It was very cool. I really liked also the ambition that they had.”

Molko continued: “I was obsessed with [dEUS’ debut album] ‘Worst Case Scenario’. To me, it was so much more imaginative and daring and psychedelic and surrealist than any of the other popular guitar records of the time.

“I loved the idea that they had a violin, y’know? Then it was really pushed to the front. And if you come and see my band now – for the past 20 years, we’ve had a violin player. So, it’s definitely an influence.”

Placebo set out on a 20th anniversary tour in 2016, where they revisited older favourites like ‘Pure Morning’ and ‘Nancy Boy’ after not playing them “in almost 10 years, and may not play again”.

1996’s ‘Placebo’ received an 8 out of 10 review from NME and reached Number Five in the UK albums chart. The record includes the singles ‘Nancy Boy’, ‘Teenage Angst’, ’36 Degrees’ and others.

Speaking to NME in 2022, Molko reflected on Placebo’s 20th anniversary shows and the 2016 best of compilation, ‘A Place For Us To Dream’.

“We were not particularly comfortable with the prospect of doing a retrospective and retrospective tour,” Molko admitted. “At the time we were on Universal Records, and we had the feeling that we would lose all support from them if we did not embark on this hideously materialistic and mercantile endeavour.”

His bandmate Stefan Olsdal agreed: “That tour lasted for quite a long time, and we started to get this slightly unhealthy relationship with our old material. I started to feel quite disillusioned by the band and what we were doing. I had a crisis of confidence coming into this record. I felt during the last tour that the band was over and that I could not continue with this.”

In a 2018 interview with NME, Olsdal said the anniversary cycle had grown “saccharine”. He added: “We have always been experimentalists at heart.” At the time, Placebo were marking 20 years of their 1998 second album, ‘Without You I’m Nothing’.

In 2020, the band celebrated two decades of their third album, ‘Black Market Music’, with a behind the scenes video series, and last year, Robbie Williams discussed how much Placebo’s ‘Nancy Boy’ had influenced him. The track explores fluid sexuality, gender confusion and drug use.

Placebo’s eighth and most recent album, ‘Never Let Me Go’, arrived in 2022. In a four star review, NME praised it as “a renaissance rock record with an experimental edge”. The band have not performed a live show together since August 2024, according to Setlist.FM.

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  • DJ Dan, Influential West Coast House Producer, Has Died

DJ Dan, Influential West Coast House Producer, Has Died

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Tributes have been shared following the passing of West Coast house producer DJ Dan, who has died at the age of 57. He was remembered as a “beloved, genre defying” figure in the scene.

Confirmation of his passing came from one of his representatives on Sunday, March 29, through a statement provided to Billboard. At this time, no details about the cause of death have been made public.

“It is with profound sorrow, deep admiration, and an enduring sense of gratitude and love that we announce the passing of Daniel Wherrett, known professionally to the world simply as DJ Dan,” the statement said, also calling him “one of the most beloved, genre-defying, and genuinely influential pioneers in the history of American electronic music.”

“He leaves behind not just a discography, but a culture, a way of feeling music that touched millions of souls across four decades and five continents. He often said he felt his purpose in life was ‘to heal through music.’”

DJ Dan had been scheduled to perform at Dead Ringer in Nevada on Saturday, March 28, but fans were informed only hours before the show that it would no longer take place and refunds would be issued. In a short message posted on Instagram, organisers only said that “unfortunately DJ Dan is unable to make it tonight.”

Further comments from Wherrett’s representatives described him as “a man who saw music in colours”, adding that his DJ sets were a “vision translated into something audiences felt in their bodies long before they understood it with their minds.”

“Off the stage, he was a cook, a traveler, an obsessive record collector whose family bought him a new turntable every Christmas, not because it was tradition, but because it was the only gift he ever wanted,” they continued.

“He leaves behind his music, his label, his mixes, and the countless thousands of dancers who found themselves, truly found themselves, in the middle of one of his sets. The world is quieter today. But press play on anything he touched, and you will hear exactly why we mourn him, and exactly why we are forever grateful he was here to inspire us.”

Since the news broke, fans have been sharing messages online to honour the late DJ. One fan wrote on X, formerly Twitter: “DJ Dan made some of the first mixtapes that got me into raving when I was young. So sad to hear this news,” while another posted: “RIP to a very formative person in how I entered into all of it.”

Another tribute read: “House music helped define an entire era of my life. DJ Dan was someone who shaped so many of my friends into the DJs they become,” while someone else shared: “RIP DJ Dan. A superbly nice person, fortunate to have known him and call him a friend.” More tributes can be found below.

 

 

 

 

 

 

Born Daniel Wherrett in Washington, DJ Dan originally studied design before relocating to California in the early 1990s to fully focus on electronic music. He later helped establish the Funky Tekno Tribe and became a key figure within the West Coast underground electronic scene.

By 1998, he had recorded ‘Essential Mixes’ for the BBC, and in 2004 he reached Number One on the Billboard Dance Club Songs chart with ‘That Phone Track’. Earlier releases including ‘Needle Damage’ from 1999 and ‘That Zipper Track’ and ‘Put That Record Back On’ from 2001 also charted on the Official Charts.

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