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  • “All Eyes On Us” Showcases Pi-ZZO P’s High Energy and Ferocious Raps

“All Eyes On Us” Showcases Pi-ZZO P’s High Energy and Ferocious Raps

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NEW ROCHELLE, NY - Growing up in the streets. Pi-ZZO P knows that hard work and dedication are needed to be a successful hip-hop artist to get to the next level. Pi-ZZO P’s latest EP, “All Eyes On Us,” proves he is a rising artist.

“I’m an artist from the 914 Westchester. I’m born and raised out of New Rochelle, NY, coming to you straight from the gutter,” said Pi-ZZO P.

After losing his brother to gun violence, Pi-ZZO P shifted his focus and went all-in on his music. “Once my brother passed away, I got real serious with music. I put my own into it and ‘cuz telling people my story, like how I feel myself. I’ve been on a journey; I feel like this is just the beginning of going into my new adventure. I’ve been through a lot, and I’m showing the world my creativity, especially with this tape,” said Pi-ZZO P.

As an independent hip-hop artist, Pi-ZZO P is a versatile rapper who uses melodic raps with hardcore lyrics. While some say Pi-ZZO P utilizes drill music, he disagrees, contending he prefers melodic beats.

“All Eyes On Us” contains nine tracks that have a catchy yet fast flow. “I am greedy with my raps, but you can still hear my lyrics,” he explained. “Sometimes I get loud, especially when I am talking about some shit that happened and how shit gets hard, and times get rough. The energy is fierce. I can come on more aggressive because that is how I am feeling.”

That fiery spirit that propels Pi-ZZO P is evident in his latest EP. While each single has personal meaning for the New York native, he said, “‘All Eyes On Us’ is the feeling I get that everybody’s been watching me and my peoples ever since I lost my brother.”

The single “Love Cry” focuses on understanding love and the ever-changing relationship with your partner. While the song focuses on love, Pi-ZZO P uses aggressive raps to express his feelings. Paying tribute to his cousin who got killed in 2008, “Ray Ray” is packed with Pi-ZZO P’s grief and anger that being in the wrong place at the wrong time caused his death. Bringing a little bit of his Jamaican nationality to “All Eyes On Us,” the track “BadMon” gets real with his hustler lifestyle and street mentality.

Taking inspiration from Master P, Pi-ZZO P is more than a writer and rapper. He owns the Passion Dreams record label and is a veteran in the studio. “I’ve been around the studio my whole life. I like to sit there and mess with everything. If I’m making a song, I’m doing the engineering and mixing it too, but I never mess with the beat,” he said.

While adding more artists to his label, Pi-ZZO P continues to hustle his music, and fans love it. Looking ahead to 2022, Pi-ZZO P said, “Long live my brothers, and remember the name Pi-ZZO P, because I’m coming in hard.”

Make sure to stay connected to Pi-ZZO P on all platforms for new music, videos, and social posts.

Apple Music: https://music.apple.com/us/artist/pi-zzo-p/1533194269

SoundCloud: https://soundcloud.app.goo.gl/AiepEZ9ji1zKwwfT6

Spotify: https://open.spotify.com/album/7aHXBDxYlgI91uu7rHq7Gw?si=2ZAzr1RvR2C0OOAOMPjn2Q

YouTube: https://youtu.be/9SrIhLWXaj0

Facebook: https://www.facebook.com/profile.php?id=100033543830997

Instagram: https://instagram.com/pizzoo00?utm_medium=copy_link

Twitter: https://twitter.com/zzo_pi/status/1462191079554523138?s=21

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  • Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

Westside Cowboy Share Hopes for “Weirder, Poppier” Music at Reading 2026

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Westside Cowboy caught up with NME backstage at Reading 2026 to tell us about their whirlwind year, slapping a smile on the face of modern indie, and hopes for “weirder, poppier” new music.

Fresh from the release of their acclaimed and long-awaited debut album ‘It Goes On‘, the rising Manchester alt-country outfit packed out The Ballroom tent at both Reading and Leeds sites.

This was their first time playing the legendary festival, but singer and guitarist Reuben Haycocks came as a young punter in 2019, their return bringing bad a flood of “PTSD” from that heady weekend. This time through, they were one of the most talked-about acts of the weekend – and certainly one of our highlights.

From winning the Glastonbury Emerging Talent Competition last year to then smashing Glasto before R+L, does anything phase the recent NME cover stars anymore?

“A lot of things phase us, every day,” replied fellow singer and guitarist Jimmy Bradbury. “It’s a strange one. We have a very lovely team of people around us who help keep us sane. I feel like we’re still playing music with our friends, and that’s the way I hope it stays.”

He continued: “We’re at that stage of a tour now where we’ve been away for a very long time and we’re questioning our own existence. Is this real? Are We real?”

 

It’s been a whirlwind year for the NME 100 alumni, starting with supporting Geese on tour back in March when they called at London’s iconic Hammersmith Apollo. What was it like to be part of that bubble of hype and madness?

“We were sort of leeching off the bubble,” replied Haycocks. “We were very lucky to get that tour and they were so lovely. Generally the atmosphere of the whole tour was great and all the crowds were amazing. Hammersmith was the first time I ever walked on stage and noticed how big it was. We’re excited to hopefully play our songs to that many people who know them, now that the album is out.”

Bradbury agreed: “That was one of the first stages where you go out and you immediately notice and take in the history that’s been there: Springsteen’s first London concert, the last ever Ziggy Stardurst concert – which I was watching the other day and his guitar player Mick Ronson is amazing. There’s a moment where it’s really dark, the lights flash and you can see Bowie being projected onto the side of that place. It still looks the same as that and it’s an amazing venue.”

Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

Still, the band modestly that admit that the highlight of 2026 so far has simply been putting out their debut album.

“I don’t know if we intended to go this far, but we’re here and we’re liking it,” Bradbury admitted. “There are so many different stages to putting an album together: finding which songs, recording the songs, mixing them, getting your masters back and it’s like, ‘We’ve done it!’ Then you get the cover back and it’s like, ‘We’ve done it again!’ By the time it comes to releasing it, you feel like you’ve done it already five times. It’s a moment of it finally just clicking together and it’s really exciting.”

Speaking of how it feels to finally have the record out in the universe and have listeners understand their true selves, Haycocks shared: “We’re making an effort to read reviews as little as possible, considering we’re already on tour and questioning our existence. My dad will send me a bit of a review that’s really nice, and then just to ground me he’ll send me a horrible comment, just so I don’t get above my station.”

“We’ve just played, and it was nice to see people sing the words to songs that were sort of new to us. Seeing people with their arms up in the air and knowing these songs that were once just a thought, that’s a pinch-me moment.”

The band recently told NME how their primary focus was “bringing the fun back into the music generally” and “taking everything a little less seriously” in terms of songwriting. It’s rarer than you’d hope to share joy at these hellscape times such as this, but it’s admirable. Have Westside Cowboy felt that reflected back at them?

“We could feel it today,” replied Bradbury, speaking of their Reading performance. “There were bucket hats flying off in the air, people had some lovely signs written. We try and keep it light-hearted. There are so many instances from when we’ve been in bands before where you take it so seriously that you run yourself into the ground. Everybody just really try to let go of that. We wanted to do the best we can with what we have and use as few chords as possible.”

Do they feel more new bands adopting that approach as the world continues its doom spiral?

“There are a lot of new bands that come from the scene we come from that do that amazingly: there’s Pushbike, Bramwell, Holly Head, countless, countless bands that have that idea woven in,” said Haycocks. “It’s really lovely to see bands smiling on stage again. Maybe it was a little fashionable to be smouldering for a while.”

We briefly pause the interview to give us their best ‘blue steel’ smoulder. Their attempt gets points for effort.

“Some people can do that really well, and there are some bands I really love that can do that, but most people – especially those who are similar to us – just look like idiots,”  Haycocks continued. “It’s nice to see people smiling and looking like they’re enjoying themselves. This should be the thing they want to do, so show it.”

Westside Cowboy
Westside Cowboy backstage at Reading 2026. Credit: Andy Ford for NME

It may seem a selfish question given that they’ve just dropped one of the year’s best-reviewed albums, and we ask only because we know how restless and unstoppable they are, but are Westside Cowboy already at work on album number two?

“We were driving down to London when the album came out at midnight. We all stood up, shook each other’s hands as the van was moving and went, ‘Cool, we’ve got until we get to the hotel then we’ll start thinking about the next one’,” Bradbury told us. “We’ve got a few things floating around, and we’re excited to crack on with it. We’ve been nattering about it in the van a lot. We’ll kick it around a bit and see where we end up.”

Asked where they were looking to take their sound from here, Haycocks shared: “Currently, we’ve been really, really loving a band called Women, we’ve been listening to loads of The Magnetic Fields and we love The Drums, so we would hope that the next album is both poppier and weirder. You never, ever know how it’s going to turn out until you start doing it.

“We want to just continue the journey that we’ve done from the start. The way I described it to Paddy [Murphy, drummer] the other day was that ‘The mists were appearing’. You can’t quite see it yet, it’s not yet tangible what the second album will be but there’s a faint outline there.”

He added: “You describing us as ‘restless’ is a good descriptor. We really just want to get on it and go.”

‘It Goes On’ by Westside Cowboy is out now, with the band heading out on their biggest UK and European headline tour to date this autumn. Visit here for tickets and more information.

Check back at NME here for all the latest news, reviews, photos, interviews and more from Reading & Leeds 2026.

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